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"Color Gradient"

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Untitled (Butterfly)
© » KADIST

Mark Grotjahn

Drawing & Print (Drawing & Print)

This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective. Unlike the traditional vanishing point, the rays here emanate from the surface’s middle and hover around an indefinite and impossible convergence. The resulting fluttering of the image’s sections animates the drawing in relationship to its named subject, the butterfly.

Gradation
© » KADIST

Arabella Campbell

Photography (Photography)

In Gradation (2011), nine raspberries lined up on a lichen-dotted rock progress from left to right, dark to light, plump and juicy to not-yet-ripe. Through a curatorial act of collection and arrangement, Campbell alchemizes discrete instances of color, fabricating a gradient. Viewed alone, each berry would be unremarkable.

What Color
© » KADIST

Luke Murphy

Painting (Painting)

What Color is Luke Murphy’s outstanding digital painting that elegantly loops in nonstop motion. The artist cleverly usurped the familiar signage of brightly scrolling words that we ordinarily see calling out to advertise a Bodega or sidewalk cart’s fast food. In a DIY manner, Murphy constructed the extra-luminous LED panel screen and also wrote the code that sets the pace and pattern of the flowing words.

Strip Color
© » KADIST

Elsa Werth

Film & Video (Film & Video)

In the video Color Strip by Elsa Werth two-dimensional versions of all the national flags of the world (197 in all) are compiled into a long horizontal strip. The video is presented on a large flat-screen, approximating the size and dimensions of a national flag. As each flag slides across the screen, connections between the colors, signs, and forms of different countries and parts of the world create unexpected associations.

Color of History, Sweating Rocks
© » KADIST

Ranu Mukherjee

Film & Video (Film & Video)

Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining.

Message to the Extraterrestials
© » KADIST

Christoph Keller

Installation (Installation)

Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope. These are then reflected down to a mirror at the bottom of the telescope and from there to a mirror on the ceiling. From the ceiling the images bounce down to a mirror at floor level which projects the images through an open window to the world outside.

Linear Painting #5 – Saint Laurent du Maroni prison (Guiana)
© » KADIST

Kapwani Kiwanga

Painting (Painting)

Kapwani Kiwanga’s Linear Painting series (2017) reflect the artist’s research into disciplinary architecture, including schools, prisons, hospitals, and mental health facilities. When they were presented together, the paintings were arranged according to a black horizontal line placed at 160 centimeters from the floor, which traced the entire perimeter of the gallery. According to hygiene standards in Europe, this would mark the height below which walls should be washed in order to prevent the spread of illnesses.

Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors
© » KADIST

John Houck

Photography (Photography)

John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page. Houck uses a series of self-designed software programs to create these intricate grids of color and line, riffing off of Sol LeWitt, perhaps, in a digital age. Houck takes the output of these programs and then manipulates them manually, creasing the pages of the index print, and then re-photographing them.

Untitled
© » KADIST

Hama Goro

Drawing & Print (Drawing & Print)

Hama Goro works with a traditional method called the Bogolan technique, which is inspired by a method used in Mali to color clothes. The ingredients of the various colors originate from natural products such as clay, leaves and bark. The colors had a symbolic significance and were used during ritual ceremonies.

#17 Pink
© » KADIST

James Welling

Photography (Photography)

#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.

West (Flag 1) (Flag 3) (Flag 6)
© » KADIST

Alexandre da Cunha

Photography (Photography)

The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.

Indiscreet Units (Maldives)
© » KADIST

Harm van den Dorpel

NFT (NFT)

Indiscreet Units by Harm van den Dorpel is a group of more than 266 hue-rotating flags, stored on the Ethereum blockchain and IPFS. This is a project about the indeterminacy of color, and that variability as a metaphor for larger social and political forces. Each NFT in the series is the official flag design for nations (and related entities) around the world.

Rocket
© » KADIST

Jeffrey Vallance

Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel. This varied use of media has enabled the artist to bring all of the life, energy, and objects he works with into a single image.

Arbol y Pelicao (Tree and Pelican)
© » KADIST

Federico Herrero

Painting (Painting)

Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape. Rooted in Central American folklore, politics, and culture, his works often move beyond the canvas onto the wall or into the streets. In Á rbol y Pelicao (Tree and Pelican, 2009), a tree with cartoonlike creatures drawn in pen beside it emerges from a field of bright swaths of color.

Untitled (Beirut)
© » KADIST

Etel Adnan

Painting (Painting)

Adnan’s paintings are simple images with bold contrasting colors and rich textures. This particular work has an iconic feel and a strong physical presence in spite of its diminutive size. All of her paintings are small but, like Howard Hodgkin’s work, their intensity gains from their diminutive size.

Origin of Afro-Esotericism
© » KADIST

Awol Erizku

Photography (Photography)

Awol Erizku’s image Origin of Afro-Esotericism has compositional force and a rhythmic use of full-blast color. In the image are five faces each with varying modes of representation. One of them is “Aunt Jemima” (recently renamed Pearl Milling Company), a brand that appropriated a character from a late 19th century minstrel show.

Head Box
© » KADIST

Jean-Luc Moulène

Sculpture (Sculpture)

Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice. Created for an exhibition in Kitakyushu in Japan, it is painted green, a color that symbolizes life and creation in Japanese culture. Even though we are confronted with a hollow presence, this is above all a space to lodge a body in the vertical posture of the living.

White Piece #0126
© » KADIST

Tun Win Aung and Wah Nu

Painting (Painting)

Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators. Interweaving public and private, personal anecdote and pop cultural appropriation, their work attests to the poetry of the everyday. In addition to found and original materials, the artists have occasionally incorporated drawings and sketches by artist friends, and even by their own daughter into the ongoing work.

A River in the Freezer
© » KADIST

Wong Kit Yi

Film & Video (Film & Video)

Artist Wong Kit Yi’s A River in the Freezer combines directed and found footage to meditate upon glacial memory, cryogenics, and frozen fiction. She synthesizes disparate subjects—ranging from Longyearbyen, Norway (a town where no one is allowed to die), the fair-haired manga character Cygnus Hyoga, 19th-century global trading in ice, and color wavelength theory, among others—within a karaoke-inspired sing-along format.

Bayramiç Stone Mill
© » KADIST

Asli Çavusoglu

Textile (Textile)

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with. Yet, rather than formulating the history of a particular color, the artist thinks through color, bringing together the various stories and models numerous farming initiatives in Turkey. The fabrics – each corresponding to a unique initiative – evoke the question: How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance?

Mesopotamia Women’s Cooperative
© » KADIST

Asli Çavusoglu

Textile (Textile)

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with. Yet, rather than formulating the history of a particular color, the artist thinks through color, bringing together the various stories and models numerous farming initiatives in Turkey. The fabrics – each corresponding to a unique initiative – evoke the question: How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance?

The Caste Portraits Series
© » KADIST

Leah Gordon

Photography (Photography)

The Caste Portraits Series by Leah Gordon investigates the practice of grading skin color from black to white, which marked the extent of racial mixing in 18th century Haiti. Médéric Moreau de St Mery (1750-1819), a French créole slave owner and freemason living in Saint Domingue (now Haiti), created a taxonomy of race classifying skin color from black to white using names derived from mythology, natural history, and bestial miscegenation. His Description topographique, physique, civile, politique et historique de la partie française de l’isle Saint-Domingue (1789) hierarchizes 128 possible combinations of black-white miscegenation into nine categories (the sacatra, the griffe, the marabout, the mulâtre, the quarteron, the métis, the mamelouk, the quarteronné, and the sang-melé).

Periquitos (Parakeets)
© » KADIST

Marepe

Sculpture (Sculpture)

Marepe (an acronym for Marcos Reis Peixoto) is from northeastern Brazil, and his sculptures and installations are steeped in its culture, traditions, festivals; his personal memories associated with his birthplace; and his interactions with European culture. Periquitos (Parakeets, 2005) is a cartoonlike giant television with a screen made of four vertical strips of blue, yellow, green, and red acetate. There is a recurring figure on the screen, which is taken from a photograph of the artist at age six.

The Devrek Sun Agricultural Development Cooperative
© » KADIST

Asli Çavusoglu

Textile (Textile)

In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with. Yet, rather than formulating the history of a particular color, the artist thinks through color, bringing together the various stories and models numerous farming initiatives in Turkey. The fabrics – each corresponding to a unique initiative – evoke the question: How have the social uprisings in Turkey during the last decade shaped the way we reimagine sites of everyday resistance?

Untitled (Bubbles)
© » KADIST

Natan Lawson

Painting (Painting)

Untitled (Bubbles) by Natan Lawson is produced by a marker with a ball-bearing tip, which is drained and refilled with a new color of acrylic paint for each layer. Untitled (Bubbles) is the result of collaging layers of imagery in the computer, before sending coordinates to the plotter which renders it, with some manual intervention of the canvas. Lawson thinks of the process as related to a computerized jacquard loom, where colors are woven and layered.

Manufactured Landscape
© » KADIST

Shi Guowei

Photography (Photography)

Through a hand-painting process, Shi Guowei created Manufactured Landscape . At first glance, the painting appears from afar as a landscape photograph. Yet, upon closer attention, the work reveals itself as a landscape painting thoroughly hand-colored by the artist onto a photograph.

Untitled (blue)
© » KADIST

Chris Duncan

Painting (Painting)

Taken from the title of the incredibly influential punk/hardcore record I AGAINST I by the Bad Brains, Untitled (blue) is an acrylic painting on reflective paper by Chris Duncan is part of a larger body of work titled EYE AGAINST I . This title references Duncan’s early artistic influences from the punk and hardcore music communities in tandem with his conceptual interest in perception and optics. This small painting features a glowing cluster of colorful dots on a bright blue background, also created from an accumulation of blue dots in varying tones.

Untitled (Diptych)
© » KADIST

Mary Ann Aitken

Painting (Painting)

Untitled (Diptych) by Mary Ann Aitken is a pair of paintings; one entirely abstract and the other a hybrid of representational and abstract elements. The left-side painting is a cacaphonous all over composition of brushstrokes layered in the artist’s signature primary colors. In the same color scheme, the right-side painting portrays a still life with an arrangement of flowers as its focal point, with marks and splatter spilling from the left-side composition into the right.

Whites for Sale
© » KADIST

Dread Scott

NFT (NFT)

In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale . The indigo-colored poster advertises a “cargo” of newly arrived white slaves, from which one will be for sale. This work is adapted from a 1796 slave sale announcement poster that is now archived in the library at Columbia University, NYC.

Serengeti Green
© » KADIST

Phillip Maisel

Photography (Photography)

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves. Elements used in various stages of photographic processes (color filters, glassine, and prints themselves) are integrated back into the artwork either as part of the sculpture or as collage elements that are later added to the print. In some of the works, Maisel cuts into the prints themselves.

Gan Chin Lee

Gan Chin Lee is a Malaysian artist of Chinese descent known across Southeast Asia for his realist paintings that painstakingly register the ethnic and religious complexities of Malaysia...

Subas Tamang

Part of the Indigenous Tamsaling community in Nepal, Subas Tamang comes from a family of traditional stone carvers...

Gozo Yoshimasu

Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...

Yosuke Takeda

Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...

Prabhakar Kamble

Prabhakar Kamble is an artist, curator, and cultural activist...

Lieko Shiga

Based on an instinctive feeling of unease with the convenience and automation of daily life, Lieko Shiga has developed an artistic approach that links questions about the nature of the photographic medium with fundamental questions about life and the means of expressing oneself...

Imran Qureshi

Pakistani artist Imran Qureshi’s practice revives 16th century Mughal miniature painting...

Carter Mull

Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works...

Conrad Ruiz

Conrad Ruiz makes watercolor paintings of fantastic scenes...

Mark Grotjahn

James Weeks

James Weeks, born in 1922, was an important figure in the Bay Area figurative painter tradition, with contemporaries such as Richard Diebenkorn, Elmer Bischoff, and David Park...

Tirdad Hashemi

Leaving Iran in 2017, Tirdad Hashemi now cultivates perpetual movement, between their hometown of Tehran, Istanbul, Paris, and Berlin...

Chris Wiley

Mithu Sen

Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...

Javier Castro

Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...

Helina Metaferia

Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement...

Fred Wilson

John Gerrard

For more than two decades, John Gerrard has produced media work that has harnessed the emergent technologies of programming languages and gaming engines, and transmuted them into landscapes and portraits of ever increasing intricacy and autonomy...

Wolfgang Tillmans

Josh Faught

American artist Josh Faught uses weaving, knitting, and crochet as means to making in his textured and evocative sculptures...

Jason Dodge

Jason Dodge extracts objects from everyday life – of which he adds minimal alterations by the way that he isolates and presents them...

Kota Ezawa

Awol Erizku

A contemporary response to the historical motif of the still-life, Awol Erizku’s studio photography is brimming with color and symbolism...

Sahana Ramakrishnan

Sahana Ramakrishnan creates images that are complicated, dissonant, and abject in ways that open the heart and mind...

Elsa Werth

Through an economy of means, Elsa Werth makes purposefully non-spectacular gestures as forms of resistance, disruption, and transformation...

Luciano Figueiredo

Brazilian artist Luciano Figueiredo works with color, form, volume, and light in his exquisite wall-bound compositions...

Shi Guowei

Shi Guowei is concerned with notions of historical and cultural traditions as they relate to current socio-political issues...

Barbara Bloom

Collector Barbara Bloom mixes autobiographical details, fictional narratives, and literary quotes...

Matthew Darbyshire

Matthew Darbyshire is interested in the non-specificity of today’s design language...

Vidya Gastaldon

Vidya Gastaldon creates microcosms of hallucinatory, saccharine symbols with her sculptures, drawings, video animations, and prints...

© » ANOTHER

about 3 months ago (02/12/2024)

Inside the Exhibition Spotlighting Britain’s Artists of Tomorrow | AnOther February 05, 2024 Text Violet Conroy Lead Image Sang Woo Kim, You’re looking at me, 2023 Courtesy the artist...

© » HYPERALLERGIC

about 3 months ago (02/11/2024)

Harriet Korman’s Nonchalant Rigor Skip to content Harriet Korman, "Untitled" (2022), oil on canvas, 24 x 30 inches (all images courtesy the artist and Thomas Erben Gallery) Harriet Korman’s paintings are simultaneously rigorous and nonchalant...

© » AESTHETICA

about 3 months ago (02/10/2024)

Aesthetica Magazine - Capturing Infinity Capturing Infinity Kati Thanda-Lake Eyre Basin spans 1.2 million square kilometers, covering almost one-sixth of Australia...

© » HYPERALLERGIC

about 3 months ago (02/08/2024)

ArtTable Survey Sheds Light on Hardships Faced by Arts Workers of Color Skip to content Protesters outside the since-removed Roosevelt statue in front of the American Museum of Natural History in a 2017 protest (photo Hrag Vartanian/ Hyperallergic ) It’s no secret that women and non-men, especially those of color, have historically been subjected to structural pay inequities...

© » MODERN MET ART

about 3 months ago (02/05/2024)

Emmanuelle Moureaux’s New Work Fills a Room with Butterflies Home / Art / Installation Thousands of Colorful Butterflies Invade Shanghai Pavilion in Emmanuelle Moureaux’s Latest Installation By Regina Sienra on February 5, 2024 Photo: Daisuke Shima Architect, artist, and designer Emmanuelle Moureaux has marveled the world with her sweeping colorful installations...

© » MODERN MET ART

about 3 months ago (01/31/2024)

Open-Impressionist Paintings Capture Kaleidoscopic Nature Scenes Home / Painting / Oil Painting Glorious Explosions of Color Capture the Beautiful Symphony of Nature in Oil Paintings By Margherita Cole on January 31, 2024 In the late 19th century, Impressionism blossomed under the talents of Claude Monet and Pierre Auguste-Renoir...

© » LENS CULTURE

about 3 months ago (01/26/2024)

In Pieces - Photographs by Sophia Bulgakova, Lia Dostlieva, Ola Lanko, Katia Motyleva and Kateryna Snizhko | Book review by Sophie Wright | LensCulture Feature In Pieces In this imaginative collection of photobooks “made with a child in mind,” five artists of Ukrainian descent explore the everyday heroism of life in wartime...

© » FAD MAGAZINE

about 3 months ago (01/25/2024)

Explore the Next Generation of UK Artists with 'Present Tense' - FAD Magazine Skip to content By Mark Westall • 25 January 2024 Share — ‘Present Tense’ spotlights the next generation of artists living and working in the UK, from emerging to mid-career, celebrating a breadth of creative talent and socially engaged practices...

© » HYPERALLERGIC

about 5 months ago (12/12/2023)

The Pantone Color of the Year “Conspiracy,” Explained Skip to content Viva Magenta-tinted dollar bills against a Peach Fuzz background (edit Valentina Di Liscia/ Hyperallergic ) The holiday season has always been more than just a special time to spend with loved ones, as corporations seize the moment to create memorable marketing campaigns that will have the public talking well into the new year...

© » ART & OBJECT

about 5 months ago (12/12/2023)

Pantone Names 'Peach Fuzz' the 2024 Color of the Year | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » LITHUB

about 5 months ago (12/12/2023)

The 139 Best Book Covers of 2023 ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In The 139 Best Book Covers of 2023 We Asked 46 Designers for Their Favorites By Emily Temple December 12, 2023 For what is now the eighth time in a row, I am pleased to present the best book covers of the year—as chosen by some of the industry’s best book cover designers...

© » WHITEHOT

about 5 months ago (12/12/2023)

Nessim Bassan: Formulas for Resolution advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Nessim Bassan: Formulas for Resolution Nessim Bassan, LOUD!, 2021, watercolor, acrylic & graphite on paper, 14 x 11 in...

Mark Grotjahn
© » CONTEMPORARYARTDAILY

about 5 months ago (12/08/2023)

November 3 – December 20, 2023...

© » ARTSY

about 5 months ago (12/08/2023)

Pantone names its 2024 Color of the Year: Peach Fuzz...

© » DIANE PERNET

about 5 months ago (12/05/2023)

In Conversation with Iris Van Herpen at the Musée des Arts Décoratifs – A Shaded View on Fashion “Iris Van Herpen: Sculpting the Senses” is open at the Musée Des Arts Décoratifs from now through April 28th 2024...

© » OBSERVER

about 5 months ago (12/01/2023)

Review: ‘Glory of the World: Color Field Painting (1950s to 1983)’ | Observer Welcome to One Fine Show, where Observer highlights a recently opened exhibition at a museum outside New York City—a place we know and love that already receives plenty of attention...

© » BROOKLYN STREET ART

about 5 months ago (11/30/2023)

Various & Gould Go to Church to Spread Colorful “Strahlen” with Project “Startbahn” | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the heart of Berlin-Neukölln, the Genezareth Church , a neo-Gothic tower with a history as rich and intricate as the city itself, stands renewed and vibrant, thanks to the artistic duo Various and Gould...

© » BROOKLYN STREET ART

about 5 months ago (11/28/2023)

Neon Saltwater Drenched a Gas Station in Neon Las Vegas; “Cherry Lake” | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Seattle-based digital artist and color virtuoso Abigail Dougherty, known in the art world as Neon Saltwater, recently unveiled her latest installation in Downtown Las Vegas, an eye-popping spectacle you can appreciate in the images here...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Francie Bishop Good, an artist herself, can’t resist adding to the collection she and her husband have amassed....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

James McKissic shares pieces from his collection in AVA's 'Rooted in Color' exhibition | Chattanooga Times Free Press Photo from AVA Gallery / "Minister, Chicago 1950" by Gordon Parks The Association for Visual Arts ventures into new territory with its first show of 2020...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Bronx Museum Trustee and Collector Richard Torres on Supporting Artists of Color, and the Picasso He’d Most Love to Pilfer - via artnet news...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Helen ‘Leni’ Stern, Artist Who Helped Found D.C...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

This real-estate developer has a definite personal color scheme, but his eye for art isn’t limited to a particular medium or motif....

© » THE JEALOUS CURATOR

about 26 months ago (03/12/2022)

SO, where to begin? At the beginning, of course...

© » ARTMARKETMONITOR

about 32 months ago (09/24/2021)

Art Basel Switzerland Fall 2021: Sale Report The scene at Art Basel 2021 in Switzerland...

© » HIGH FRUCTOSE

about 52 months ago (01/21/2020)

Vivian Greven's oil and acrylic paintings, bridging Greco-Roman art and a contemporary sense of depth and space, are studies of intimacy...

© » PAINTERS' TABLE

about 62 months ago (03/29/2019)

Stan Mir reviews an exhibition of new paintings by Evan Fugazzi at Gross McCleaf Gallery, Philadelphia, on view through March 30, 2019...

© » KUMI CONTEMPORARY JAPANESE ART

about 65 months ago (12/17/2018)

We’re delighted to offer very special Artist Proofs of Hush’s sensational Duality print...

© » UNRATED

about 66 months ago (12/07/2018)

Andre Elliott — UNRTD™ Andre Elliott Andre Elliott is a 23 year old artist currently based in California...

© » ARTS EQUATOR

about 71 months ago (07/10/2018)

Latiff Mohidin’s “Langkawi”: The Within and Beyond | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: Chan + Hori Gallery July 10, 2018 By Gerald Sim (1,500 words, eight minute read) As with any thought-provoking installation, Latiff Mohidin’s “Langkawi” series, on show at Chan+Hori Contemporary , evokes a large range of perceptions from its audience...